
[Show name], episode [number]: [Episode title]
Format | |
Promise | |
Host and guest | |
Length | |
Recording | |
Publish |
Run sheet
Fill in the start times before you write a line.
Starts | Part | Length | Written as | Leads |
0:00 | Cold open | Tape or word for word | ||
Theme and intro | Word for word | |||
Segment 1 | Notes | |||
Mid-roll ad | Word for word | |||
Segment 2 | Notes | |||
Segment 3 | Notes | |||
Outro and credits | Word for word | |||
End |
Write for the ear. Short sentences, one idea each. A listener can't scroll back.
Say where you're going before you go, and where you've been when you get there.
Read every word-for-word part aloud once before the session. If you stumble, rewrite it.
HOST, GUEST mark who speaks. Italic lines are cues for the edit. A slash (/) is a short pause; a double slash (//) is a full stop and a breath.
Cold open
A moment of tape, or one or two lines from the middle of the story. Write it last.
HOST:
MUSIC: theme in, five seconds, then under
Intro
HOST: This is [Show name]. I'm [name]. /
Today's story or question, then the guest and why they're here.
By the end of this episode, you'll
MUSIC: theme out under the last line
See an example intro and ad read
Small Plates, episode 41: Who invented the sandwich? · a food history show
HOST: This is Small Plates, the history of the food on your table. I'm Dana Okafor. /
The sandwich is named after an earl who was too busy gambling to stop for dinner. // Or so the story goes. /
My guest today is Priya Raman, a historian of eighteenth-century London, who has read the earl's letters. //
By the end of this episode, you'll know who really made the first sandwich, and why the earl got the credit. //
HOST: This episode is sponsored by Breadline, a bakery delivery service. / I've had their rye on my doorstep every Friday since spring, // and it's still the best part of my week. / Your first box is half price at breadline dot com slash plates. / That's breadline dot com slash plates. //
Segment 1
Copy from this heading down to the divider for each segment.
Job:
Signpost:
Points and questions:
Tape:
If running long, cut:
Bridge to the next segment:
Interview questions
Warm-up:
Core question:
Core question:
The one that matters most:
What should a listener try?
Where can people find your work?
Ad read: [Sponsor]
Slot and length:
From the sponsor's brief:
Don't say:
Approved by the sponsor:
HOST: This episode is sponsored by [Sponsor]. /
What it is, one true detail from your own use of it, and the offer.
Go to [web address] and use the code [CODE]. / That's [web address], code [CODE]. //
HOST, back from the break:
Outro
The promise kept, in one sentence; one call to action; what's next time.
HOST:
[Show name] is hosted by [name] and edited by [name], with music by [name]. Thanks for listening.
MUSIC: theme up, then out
For the edit
Cue log
Cue | Source and timecode | In and out words | Length |
TAPE 1 | |||
TAPE 2 | |||
MUSIC 1 |
Pronunciation
Name or word | Say it | Checked with |
Show notes
Title:
Description:
Timestamps:
Links mentioned:
Sponsor:
Credits:
Before you hit record
The start times on the run sheet add up to the target length
Intro, bridges, ad read and outro read aloud once with a timer
The ad read says it's an ad in its first line and fits its slot
Every tape and music cue logged with a source, in and out words and a length
Hard names checked with a source and written as they sound
Script on a second screen or printed, in large type, with page numbers